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CSSI Themes
Navy Pier for Halloween and Holidays
When
Navy Pier decided that they wanted a scarier haunted house this
year, Chicago Scenic was able to fill the bill. Armed with a new
script written by Michael Fosberg, in a joint venture with Ravenswood
Special Events, CSSI designed, built and installed a new haunted
house that had more pop-out scares and automated effects to keep
visitors scared silly.
This year, the
storyline takes guests on a tour of Captain Nightmare's Haunted
Mansion. Highlights of the hair-raising event include falling bookcases,
a levitating bed, and a reanimated Captain Nightmare springing toward
the audience.
For
younger visitors, CSSI created Scarecrow Hollow. This area houses
a hay bale maze, games, colorful monsters for photo ops and a stage
for storytelling. The scares continued throughout the Pier, with
a smoke-breathing monster staking his claim on the Head House. Those
brave enough to continue are in for many more frights, like hundreds
of pirate skeletons hanging all around the Pier.
In addition to the haunted house and Halloween decor, CSSI's Tom
Ryan also designed all of Navy Pier's winter holiday decor. Visitors
were greeted with gateways covered with garland swags trimmed with
oversized stockings waiting for Santa to fill with goodies. The
enormous kinetic cookie factory once again hangs high above the
Snowflake Stage in the Family Pavilion. Window boxes featuring playful
penguins are clustered in the Shakespeare Theatre lobby along with
Christmas trees and snow blankets to create a winter wonderland.
Project
Manager Rick Boultinghouse worked with Navy Pier's Denise McGowan
and Tony Camarillo on all of these projects. Ken Glucksberg and
Andy Lemerand led work on the Haunted House; Debbie Miller, Chris
Kiddle and Russell Pharr led Halloween decor and Joel Gordon, Chris
Kiddle and Russell Pharr led holiday decor.
CSSI Builds Excitement at Navy Pier's TimeEscape
Working
with Landmark Entertainment Group, the design/development team hired
by YNOT Productions, CSSI built the themed decor elements for TimeEscape,
a new year-round family entertainment center at Chicago's Navy Pier.
The attraction is a three-part, walk-through event and movie that
takes guests on a tour of Chicago's past, present and future. CSSI
built the modern, Star Trek-like decor that appears throughout the
facility, up to and including the retail and ticket counters. The
greatest challenge was making all of the elements fit into the small
space allotted.
CSSI produced
the exterior signage and decor that guests see when entering the
attraction, including a large light box that curves in three different
directions, corrugated siding and stealth print billboards, which
are produced through a process that takes computer animation files
directly to photographic paper without a negative.
When
guests enter the pre-show area, they are greeted by an animatronic
robot sitting in a time machine that CSSI built. The robot tells
the guests that the time machine, which was lost at the World's
Fair, was discovered during renovations at Navy Pier. He then guides
them to enter the time machine, where they are surrounded by CSSI's
space age decor. Guests then watch a 3D movie on three large screens
that takes them on a tour though Chicago's history, complete with
atmospheric effects. The ship unexpectedly malfunctions, so the
guests are directed to one of five escape pods that each house a
10-seat motion-based simulator that take guests on a ride through
Chicago in the 24th century before landing safely in the present
at Navy Pier.
A big time-saver
on the project was the paint department's carving of sci-fi panels
that were cast out of clear resin in a number of different configurations
so they could be used throughout the attraction without visitors
noticing. Paint Department Head Kevin Taylor and Paige Barnes worked
on these elements.
Project Manager John Beckman worked with Josh Cottrell of Landmark
Entertainment Group on this six-month project. Mark Goeke led the
job in the shop, Tim Steimle's work on the CNC machine was invaluable,
and Russell Pharr and Dave Duwell led the installation team.
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